Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
What are Ilona Herfurt and her boyfriend Dietmar Freistrath doing in the old mine? Where does the money come from that her son Jimmy finds under the newspaper? Where have the unique and intricately carved works of art, often passed down for generations, disappeared to from the village in the Ore Mountains? What do the carver Gerlach and his foster daughter llona have to do with it? Questions upon questions that are burning under the detective's nails.
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Comments
Have you watched The Stone of Trust yet? What did you think about it?