In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.
In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages.
With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc.
A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.
No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.
PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch.
Popular movie trailers from 1986
These some of the most viewed trailers for movies released in 1986:
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
25 years ago a mother and father went missing and were presumed murdered on Wolfe Island and their bodies never found, and now a tabloid journalist and a woman who may have a connection to the Island are out to find out Whodunit?
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.