This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.
Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il.
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache.
With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera.
Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage.
Alternative movies trailers for Tosca
More movie trailers, teasers, and clips from Tosca:
Viva di Tosca Werbung Ornella Muti 1997
Viva di Tosca Werbespot.
Popular movie trailers from 1986
These some of the most viewed trailers for movies released in 1986:
Chanakya Shapadham is action oriented movie in which, Chanakya (Chiranjeevi), a Customs officer at airport is the son of a Military Major (Kaikala Satyanarayana) who is about to be awarded Padmasree for his services.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
