The story of an energetic Russian woman, Tamara Fedorovna who moved to Leninabad in the 1950s and, as a pensioner, became a trainer for a men’s soccer team and performed in the local amateur theater. Then, after three or four years, thousands of Russians would have to leave Tajikistan as would Tamara.
Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".
A struggling writer believes a secret from his past has come back to haunt him. Paranoia and guilt take over as he tries to figure out who or what has been plaguing him with increasingly violent attacks.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Adapted from the Edgar Allen Poe short story called “Bon-Bon”. The film is a dark comedy about a man intoxicated on wine and his own ideas on the meaning of the soul.
1960s. Arden is an introvert kid who was brought up in a strict Catholic orphanage. Insecure about his voice, he pretends to sing during choir practice.
Guillaume has been looking after Anthony, his sick companion, for the last couple of years. But his world is turned on its head when Anthony decides to hire a young nurse to help him.
Emile, 77 years old, feels his time is near. He presses his emergency button. His daughter, Léa, receives the message while she is in the middle of a meeting.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.