The film explores the abrupt transition between tradition and innovation within the context of carnival. In this work, Xavier Villaverde creates a video narrative about the rapid shifts in the Hispanic mindset during the 1980s, intuitively foreshadowing the new virtual theater of appearances.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true.
Jessica's promising debut as a young artist is shattered by a sudden and violent death. She escapes into a restless succession of journeys whose encounters along the way bring humour, some comfort, but also danger.
Nathaniel Box, a self-styled prophet, along with his daughter Barbara and her fiancé Curtis, holds a night time press conference in an underground car park, devoutly believing that "a new Messiah for a New Age" will appear there before dawn - and their wait does not go unrewarded.
On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child.
Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl.
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