A movie that shows conversations with a friend. It longs for clarity, not necessarily wisdom; he is looking for connections that give him meaning. This film gives reason to think about why young people go to the Hitler Youth in the early 1930s and find what they are looking for there.
The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
Beate Klarsfeld, a German Protestant housewife, who, with the help of her Jewish law-student husband, Serge, begins an unrelenting campaign after World War II to bring Nazi war criminals to justice.
This film deals with the contrasts of the Wilhelminian era in Berlin: the splendor of the monarchy, the economic and intellectual vitality of the up-and-coming imperial capital on the one hand, and the misery of the proletarians in the tenements on the other.
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return.