"Jun'ichi Okuyama is a cinedoer." Jun'ichi Okuyama plays making a film from the material and accidents that gradually disrupt the natural recording of the camera. It all starts and ends with the noise of the projector. Landscape sequences gradually undergo interference and rhythmic interruptions of one hand, of a reel in motion and then of a crack passing through the photogram from one side to the other, are all tangible signs of the presence of the filmmaker. The universe breaks up and recomposes in this back and forth between reality and its "in the movie" reflection.
It's the most exciting moment of the year: Easter night and little Mimosa birthday. Muskotti, her mother, has such a bad memory that she doesn't know how old Mimosa is.
A story spanning three generations, from 1871 to 1945. When Gustav Wengler, a farmer’s son, returns from the Franco-German war in 1871, he goes to work for a precision mechanics and optical company, where he soon becomes a master craftsman.
The film attempts to fill in the "missing years" of Jesus, from ages 3 through 12. When King Herod fearing that the Messiah has indeed been born, orders that all Hebrew male children under the age of three be slain, Joseph moves his family near Egypt.
In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force.
When the evil Skeletor finds a mysterious power called the Cosmic Key, he becomes nearly invincible, seizing Castle Grayskull and the surrounding city.
