Close-ups of lovers caressing and images of nearly motionless nude males are presented as a collage. A young man feverishly comments upon le mal d’amour by confronting desire and disappointment, including moments of his everyday life and moments which occur in a dream-like state. This results in an opposition between the primitive simplicity of sexuality and the complexity of love to which we traditionally associate it. This work focuses upon the omnipresence of sexuality and its inevitable changes and ramifications in long-term relationships.
Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry.
A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.
High School grad and all American gal, Anna, finds her purpose and herself after she hooks up with the radical feminists in The Itty Bitty Titty Committee.
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer).
After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee.
A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970.
Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al.
The film attempts to fill in the "missing years" of Jesus, from ages 3 through 12. When King Herod fearing that the Messiah has indeed been born, orders that all Hebrew male children under the age of three be slain, Joseph moves his family near Egypt.
This time, Leon Schuster plays a filmmaker who is making a candid camera movie, only to discover that another filmmaker has stolen his ideas and is making the identical picture.
