Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
Métis filmmaker Christine Welsh puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years.
A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.
Akram, an illiterate Iranian woman, shows us that true talent will always refuse to be stifled, and that you don't need an education to understand, to feel, and to paint.
"Let's Not Pretend" is a film by Riley Bartolomeo about acclaimed artist Susan Calza. This documentary follows this award and fellowship grant winning artist to discover the autobiographical stories which lay beneath her art.
This fascinating exploration of the creative process follows one of Australia's leading contemporary artists Ben Quilty, as he completes one of his most challenging art works.
In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”.
He was the master forger of the 20th century: the Hungarian painter Elmyr de Hory. We will probably never know how many works by Picasso, Matisse and Modigliani still hang in museums and private collections.
Popular movie trailers from 1987
These some of the most viewed trailers for movies released in 1987:
Documentary filmmaker Christian Blackwood profiles controversial Filipino director Lino Brocka, detailing his rags-to-riches rise in the mainstream film industry of the Philippines.
Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al.
The 2004 Opus Arte DVD release of Wolfgang Amadeus Mozart's Don Giovanni (recorded at Teatro alla Scala in 1987) is highly regarded by English-language critics as a definitive "traditional" production, notable for its legendary collaboration between conductor Riccardo Muti and director Giorgio Strehler.
This is the story of Lenell Geter, an engineer who was accused and convicted of armed robbery. Because he had such faith in the system, he thought that he would eventually be released.
