"Perhaps the most striking aspect of George Snow’s work is is its visual richness, vitality and sheer exuberance: whether it is a narrative piece or a more abstract and visceral work, his masterly use of electronic colour enhancement, and virtuosity in manipulation of the image result in a visually seductive experience." - LUX
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks.
This short film recreates the story of David Thompson – a man who, over the course of his lifetime, mapped a-million-and-a-half square miles of uncharted territory.
A woman and man in their early sixties try to cure loneliness on a second date. However, when the man eagerly convinces the apprehensive woman to sneak into an abandoned bowling alley, the discord in their personalities becomes apparent.
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.
Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al.
In a satirical way, the typical television coverage after a (fictitious) state election is simulated — including projections, interviews, commentaries, and a so-called “heavyweight round”.
Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality.
