"A Rebellion Against the Commodity"26 February 1988Factual17 mins
This engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste #10 (March 1966). Along with additional commentary adapted from Barbara Kruger and musicians Morrissey and Skinny Puppy, the text posits rioting as a refusal to participate in the logic of capital and an attempt to de-fetishize the commodity through theft and gift. Cokes asks, “How do people make history under conditions pre-established to dissuade them from intervening in it?”
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph.
In this experimental collage film, Arthur Lipsett reworks over fifty years of newsreel footage into a surreal audiovisual montage of twentieth-century life.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities.
Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen admirers trying to get his attention.
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Popular movie trailers from 1988
These some of the most viewed trailers for movies released in 1988:
An interview with the production team behind the hit Broadway musical as they discuss the conception and development of Les Miserables as a pop-culture phenomenon.
A St. Louis cop, Mike Braxton (Sam Jones), receives an urgent call for help from his brother Tony (Nick Cassavetes), a small time thief in Los Angeles.
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha.
The image of Greater Poland in the breakthrough years 1913-1918. It tells about the fate of Polish junior high school students and their attitude towards the Prussian partitioning authorities, activity in the independence underground, and participation in the preparations for the Greater Poland Uprising.
The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.
A woman, who has been the mistress of a man who has just died, thinks about leaving the little Italian village where they lived and moving to another place.
