Echelon begins with images of Luyken’s sons, who are hitting pieces of a sarcophagus. We then see images of performances that depict a disabled woman, followed by shots of wrecked trains. In contrast to these images of destruction are images from the daily life of the artist and his art. The film ends with the demolition of a church building.
When a young boy makes a wish at a carnival machine to be big, he wakes up the following morning to find that it has been granted and his body has grown older overnight, but he is still the same 13-year-old boy inside.
The image of Greater Poland in the breakthrough years 1913-1918. It tells about the fate of Polish junior high school students and their attitude towards the Prussian partitioning authorities, activity in the independence underground, and participation in the preparations for the Greater Poland Uprising.
The short film, a collaboration between the multimedia research group Giovanotti Mondani Meccanici and Loretta Mugnai, combines both film and electronic elements.
The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.
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Have you watched Echelon yet? What did you think about it?