Otto Schenk’s brilliant production captures both the dark romanticism of the story as well as its fairy-tale magic. It is a superb setting for Neil Shicoff’s vivid portrayal of the tortured poet Hoffmann, as he recounts the loves of his life and the way he has been foiled by his nemesis—a marvelous James Morris in a tour-de-force performance of the opera’s four villains. Gwendolyn Bradley is the doll Olympia, Tatiana Troyanos sings the courtesan Giulietta, and Roberta Alexander portrays the innocent Antonia.
Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.
Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season.
The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting.
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache.
Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018.
This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic.
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha.
The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.
A St. Louis cop, Mike Braxton (Sam Jones), receives an urgent call for help from his brother Tony (Nick Cassavetes), a small time thief in Los Angeles.
The image of Greater Poland in the breakthrough years 1913-1918. It tells about the fate of Polish junior high school students and their attitude towards the Prussian partitioning authorities, activity in the independence underground, and participation in the preparations for the Greater Poland Uprising.
Putting its own 'twist' on the story of Oliver Twist, the orange runt of a litter of kittens must fight for survival on the rough streets on New York City, finding unlikely friends in the dogs owned by a down-on-his luck man named Fagin.
Comments
Have you watched Les Contes d'Hoffmann yet? What did you think about it?
