The veils-of distance, color, and detached symbols-are both painterly in form and related to the acts of reading and writing seen throughout the film. The obscuring of the word represents my struggle to create an unnamable world of poetic mystery and nuance.
A naive young man from the countryside moves to the big city to study art. Soon he has some strange experiences: His roommate turns out to be the bodyguard-protected son of a mafia boss, his fellow student is desperate to initiate him into love, and his attractive art professor also seems to have it in for him.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha.
In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her.
The private detective Nelly (Martina Gedeck) has a moored and industrial property. The moor has been cultivated for a year, but the politics are still there.
Hunter S. Thompson speaks out on: the Iran/Contra affair, George Bush, Ronald Reagan, Politicians and Lawyers, John McFarlaine, Oliver North, and Richard Nixon.
American cowboys have been writing poetry for over a century. This little-known literary tradition both belies the macho image of the Western heroes and serves as an imaginative form of oral history.
Comments
Have you watched The Poet's Veil yet? What did you think about it?