What’s it like being a Renaissance man when your host is a jerk-of-all-trades? What’s it like being obsessed with memory when you host lives in the perpetual present? George Barber’s The Venetian Ghost has as its hero a former ruler of Venice who, as a result of a semantic boo-boo, finds himself catapulted from the High Culture of Venice, Italia, to the High camp of Venice, LA. Barber plays up these oppositions in his usual offbeat style; having the figure of the ghost keyed in cartoon – like with Charlie and family – good-time Californians to a fault.
Its central characters are a vampire girl named Miyu and her demonic companion Larva. Miyu is the daughter of both a human and a shinma (demon) and as such she was awakened as the guardian whose destiny is to hunt down all stray shinma and send them back to the darkness.
Adoring capsule of the Mets 1988 season, in which they won 100 games and the National League east division but lost the pennant to the Los Angeles Dodgers.
The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves.
Putting its own 'twist' on the story of Oliver Twist, the orange runt of a litter of kittens must fight for survival on the rough streets on New York City, finding unlikely friends in the dogs owned by a down-on-his luck man named Fagin.
Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha.
Hunter S. Thompson speaks out on: the Iran/Contra affair, George Bush, Ronald Reagan, Politicians and Lawyers, John McFarlaine, Oliver North, and Richard Nixon.
