If the intersection of desire and authority is phallus, the intersection of absence and vigilance is vagina. The tape’s laconic title (I saw, I conquered—but I didn’t come) encodes its vaginal pretense. In effect, Vidi Vici is a male artist exploring a vaginal posture. By interleafing different gender characterizations with various narrative impulses, it circumvents linearity while emptying our gaze into the interstices between action and incapacity. —Tony Conrad
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
After being shot in a toy store, a serial killer transfers his soul into a Good Guy doll. A mother then gifts it to her six-year-old son Andy, which unleashes terror upon the city.
The image of Greater Poland in the breakthrough years 1913-1918. It tells about the fate of Polish junior high school students and their attitude towards the Prussian partitioning authorities, activity in the independence underground, and participation in the preparations for the Greater Poland Uprising.
