The director of the enigmatic, entirely memorable feature Man Facing Southeast confronts viewers with another exhuberantly metaphysical movie in Ultimas Imagenes del Naufragio. In the story, Roberto (Lorenzo Quinteras) is a man whose inner life has gone dead. He has no interest in his job (selling life insurance) or his family. About the only thing that interests him is his writing, but he currently has writer's block. When he sees a lovely young woman on the verge of throwing herself in front of a train, he can't help himself: he has to stop her. It turns out that the woman, Estela (Noemi Frenkel), is only slightly addled: she is a prostitute who uses this rather dramatic technique to pick up men. Interested in her as a character for his novel, he accompanies her home.
A country boy becomes the head of a gang through the purchase of some lucky roses from an old lady. He and a singer at the gang's nightclub try to do a good deed for the old lady when her daughter comes to visit.
When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana must team up with Marcus Brody, Sallah and Elsa Schneider to follow in his father's footsteps and stop the Nazis from recovering the power of eternal life.
Five years after they defeated Zuul, the Ghostbusters are out of business. When Dana begins to have ghost problems again, the boys come out of retirement to aid her and hopefully save New York City from a new paranormal threat.
Our favourite police men are called together to deal with a gang who rob banks and jewelers. Using their various talents as well as their extraordinary luck, the crooks stand no chance against our men and women wearing blue.