A proud businessman Mr. Roy Chowdhury (Dilip Roy) stayed with his wife Samta (Shakuntala Barua), his daughter Rupa (Satabdi Roy) and his son Bikram (Soumitra Banerjee) in a hill town. The villagers knew him as a cruel and heartless person. Rupa went to meet a poor guy Sanjib (Prosenjit). They fell in love with each other. Sanjib stayed in a slum area. By profession, he was a milkman. He stayed with his widowed mother (Sumitra Mukherjee). On the other side, Sanjib's neighbor Biree (Biplab Chatterjee) stayed with his son and sister-in-law Padma (Sunetra Bhattacherjee). Bikram tried to rape the Padma, but Sanjib saved her. When Mr. Roychowdhury came to know that his daughter Rupa loved a poor person he became angry and tried to separate them. On the other side, Sanjib told his mother about Rupa. When his mother came to know that Rupa was Mr Roychowdhury's daughter she warned Sabjib about Mr. Roychowdhury. On that day she told him about their past.
Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground.
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two.
Clarence Flamer hosts a late-night talk show on regional radio station North Star Sound. A phone call he takes one night leads to his discovering a mortgage scam being run by a group of estate agents.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
In 1973 Vietnam, gas bombs are dropped on villages, killing men, women, and children. Two downed American pilots, accused of the bombings, are captured and tortured.
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.
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Have you watched Alingan yet? What did you think about it?
