Another awesome Panna film, but for a different reason. Less emphasis on crazy falls, and more on fight choreography. Panna did some closer shots with this one too, rather than only using wide ones like in GML and Plook1. Acrobatic/stunty/fighting leads are well worth their long action intros. (Eric Jacobus)
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
Lakshya finds a bottle, which has Gangaram trapped in it who is his lookalike. He promises to make everything possible with the sand in the bottle, but once the sand is over he will be free to go.
Comments
Have you watched Born to Fight 3 yet? What did you think about it?