A film essay about the New York City based artist Kurt B. Delbanco. His fine art and sculptures "breathe" the spirit of Goethe's philosophy and curved organic shapes. Kurt was a former refugee from Nazi Germany and so he had a lot sad things to tell - contratictory to his cheerful art. To him, the term "design" in in no case a swear word compared to "art".
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
Lakshya finds a bottle, which has Gangaram trapped in it who is his lookalike. He promises to make everything possible with the sand in the bottle, but once the sand is over he will be free to go.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
Young people living in Poland in the late 1960s had to face difficult times and make tough choices. Some of them were forced to leave their country for having Jewish origin.
