The camera probes the interior of the Sociéty Céramique in Maastricht, arguably the oldest (ceramics) factory in the Netherlands, where the toppled shelves of the abandoned storeroom once housed countless molds of now-forgotten pottery. This melancholy short was produced from offcuts captured during the NIETS IS VOOR DE EEUWIGHEID shoot. The factory has since been sadly demolished, but the short film functions not so much as a nostalgic afterthought or aesthetic urbexing avant-la-lettre, but rather a call to arms to use and work with all manner of beauty, however useless it might seem.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
On a West German Autobahn, Robert plummets from a bridge and is hospitalized. As he recovers, he flashes back to a Bulgarian holiday where he met Jutta and her uncle Lothar, who’d ordered a West German passport to smuggle her out of the DDR.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
