How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism.
Emmy Awards nominee for "Outstanding Individual Achievement in a Craft: Research: Multi-faceted portrait of the man who succeeded Lenin as the head of the Soviet Union.
Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
The final oral exam in history and social studies at one of Warsaw's high schools. The film illustrates the theatre of social life in Soviet Poland where one says different things on the stage and another behind the scenes.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.