A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
In the daytime, an ordinary high school girl's English teacher, but at night, the dynamite body of Super Lady Reiko, who defeats the villains who are infested in the world as an agent of a mysterious organization, explodes.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
A village has to be destroyed for coal mining. Henning, a 15 years old boy, who wants to visit his grandfather one more time, realizes that nothing will be the way it used to be.
In 1973 Vietnam, gas bombs are dropped on villages, killing men, women, and children. Two downed American pilots, accused of the bombings, are captured and tortured.