Mercy Steele remembers her close-to idyllic childhood in rural Queensland in the twenties. Images of the landscape, abundant foods and fruits interspersed with reconstructed snatches of the way things were, show a simple life that belies the tragedy which her family later suffered. Constructed images of a lush and beautiful place suggest an uncomplicated life of harmony and abundance reminiscent of a late 19th century European way of seen Antipodean landscapes.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
Ref'at is a judge who is ruling on an important case that witnesses a lot of security interference. Rafiq Al-Henawy has him killed and stages it as a suicide before the ruling.
A village has to be destroyed for coal mining. Henning, a 15 years old boy, who wants to visit his grandfather one more time, realizes that nothing will be the way it used to be.
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
Three Jolly Fellows tells of the adventures of three small men in a world that borders on the fantastic: the composed and close-to-nature Mossbeard, the irritable city dweller Halfshoe, and the sensitive poet Muff.
Clarence Flamer hosts a late-night talk show on regional radio station North Star Sound. A phone call he takes one night leads to his discovering a mortgage scam being run by a group of estate agents.
Lakshya finds a bottle, which has Gangaram trapped in it who is his lookalike. He promises to make everything possible with the sand in the bottle, but once the sand is over he will be free to go.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
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Have you watched No Problems yet? What did you think about it?
