Berlin, 1934: John Flaus plays Goethe, the puppeteer whose mechanical clockwork knife-throwing act is under surveillance by a slimy SS agent (Heinz Boeck). The showdown comes at a New York presentation of the show.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
In the daytime, an ordinary high school girl's English teacher, but at night, the dynamite body of Super Lady Reiko, who defeats the villains who are infested in the world as an agent of a mysterious organization, explodes.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.