A few years after filming Los ronderos, school teacher Eduardo Díaz Cuba filmed the feature film Rastros sangrantes (1990) in Chota, on VHS. The film depicts the invasion of private land by a group of homeless people. The eviction and imprisonment of their leaders trigger a series of dramatic events that shift the plot from social realism to melodrama. The film adapts the novel of the same name by the Chota-born writer Andrés Díaz Núñez.
A village has to be destroyed for coal mining. Henning, a 15 years old boy, who wants to visit his grandfather one more time, realizes that nothing will be the way it used to be.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
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Have you watched Rastros sangrantes yet? What did you think about it?
