Based on French media theorist Paul Virilio's thesis that weapons and film technology inextricably influence human perception, the film interviews cameramen from German propaganda companies during World War II. It also features cinematic miniatures, including ones about the future of electronic media.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Ref'at is a judge who is ruling on an important case that witnesses a lot of security interference. Rafiq Al-Henawy has him killed and stages it as a suicide before the ruling.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
On a West German Autobahn, Robert plummets from a bridge and is hospitalized. As he recovers, he flashes back to a Bulgarian holiday where he met Jutta and her uncle Lothar, who’d ordered a West German passport to smuggle her out of the DDR.
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