"When the shy hot dog vendor Kaj's 40th birthday is comming up his friends invite him to celebrate his birthday on a trip to Poland with booze and lad"03 August 1990Drama, Comedy94 mins
When the hot-dog vendor Kaj from the small town of Skælskør in Denmark turns 40, his friends take him on a trip to Poland, to a long party with cheap liquor and emigration eager polish ladies. It will go merrily, but it gets serious for Kaj as he meets a girl who mistakes him for a wealthy Toyota dealer she has exchanged letters with.
Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger.
An exceptionally beautiful Chinese woman falls prey to violence and social control. After remembering how her previous reincarnation followed a similar path, she tries to break free of the mould.
Simon Watterman, a space archaeologist, discovers the "Munchies" in a cave in Peru. Cecil Watterman, Simon's evil twin brother and snack food entrepreneur, kidnaps the creature.
Lakshya finds a bottle, which has Gangaram trapped in it who is his lookalike. He promises to make everything possible with the sand in the bottle, but once the sand is over he will be free to go.
In the daytime, an ordinary high school girl's English teacher, but at night, the dynamite body of Super Lady Reiko, who defeats the villains who are infested in the world as an agent of a mysterious organization, explodes.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
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