THE DEATH OF FEELING is an impressionistic film. It concerns the struggle to retain ones sensuality and emotion in a depersonalized world. The film was directed by a woman and shot by a man in order to create alluring images of a female who is bound & defined by the patriarchal perspectives of the culture in which she lives. These images were then edited by the filmmaker as a silent visual commentary on her objectification. – Amanda Katz
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
Young people living in Poland in the late 1960s had to face difficult times and make tough choices. Some of them were forced to leave their country for having Jewish origin.
Vivian is a carefree, streetwise diamond in the rough when she meets sophisticated billionaire Edward in a chance encounter that turns into a week-long business arrangement.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
