THE ORIGINS OF SCIENTIFIC CINEMATOGRAPHY is a documentary film series directed by Virgilio Tosi. The films complement Tosi’s book Cinema Before Cinema, using archive film and original equipment to show how cinematography had its origins not in the music hall or the fairground, but in the laboratory, as scientists of the 19th and early 20th centuries attempted to find new ways of seeing and measuring the natural world.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two.
Ref'at is a judge who is ruling on an important case that witnesses a lot of security interference. Rafiq Al-Henawy has him killed and stages it as a suicide before the ruling.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
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