1969. The Prague Spring has been demolished. New barbed wire installations have been erected. Julia, who is thirteen, has moved with her mother to a village in northern Austria which lies on the Czech border.
Julia has not spoken since her father's death. Her isolation increases in the village where she is an outsider. Provoked into proving her courage by some young villagers, she walks into no-man's land. She discovers a forgotten tunnel which leads to a construction site on the Czech side of the border. Julia makes the acquaintance of Roland, a forty-five-year-old surveyor, on "the other side". An ambivalent father-daughter relationship develops between them. Roman is the only one to whom she confides the secret of her border crossings. Due to his affection for her, she regains her ability to speak. And she starts to feel at ease with Alexander, who is her age. Roman makes new plans at Julia's urging. The insurmountable border foritfications will remain vulnerable . . .
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
On a West German Autobahn, Robert plummets from a bridge and is hospitalized. As he recovers, he flashes back to a Bulgarian holiday where he met Jutta and her uncle Lothar, who’d ordered a West German passport to smuggle her out of the DDR.
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
