The twenty-seven minute video program depicts less celebrated sites in Vancouver as two women drive around the city scouting locations for a film shoot. Narrative flow is tenuous; spoken and written text is used to both fragment and link the multiple sequences. The women's relationship to urban space is fraught with disruption, even as they attempt to construct a meaningful historical and experiential relation to the city.
On a West German Autobahn, Robert plummets from a bridge and is hospitalized. As he recovers, he flashes back to a Bulgarian holiday where he met Jutta and her uncle Lothar, who’d ordered a West German passport to smuggle her out of the DDR.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
Young people living in Poland in the late 1960s had to face difficult times and make tough choices. Some of them were forced to leave their country for having Jewish origin.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
