The film opens directly and freshly with a screen journey which is also a kinetic light sculpture holding its rotation steadily before our eyes. Many associations emerge as we hear the tale in relation to this image and its shifting background. . . including a bicycle being ridden by the filmmaker, spools and spokes, a feeling of a metal insect or iridescent whirring dragonfly picking up the passing colours. There is a still centre to the radial motion against linear road or landscape. A feeling of cyclical storytelling comes with the account of her own life and giving birth to a ‘computer literate and perfectly bilingual’ baby daughter. We are led to respond to her not being guaranteed to stay in control. Again multiple strands are knotted in this fortune wheel: gain on the swings, lose on roundabouts, with no ‘perfection’ in relations with other beings on the round of merry, or social, or just plain recurring intercourse. -Sandra Lahire
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
Documentary about the making of The Changer and The Changed, an album recorded by Cris Williamson in 1975 that became one of the icons of women's music.
The gang that created Airplane! and The Naked Gun sets its sights on Top Gun in this spoof. Topper Harley is a talented but unstable fighter pilot with an axe to grind: clearing the family name.
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard.
