Photographer Aaron Siskind (1903-1991) guides us through his documentary work in the 1930s to his last period of abstraction. We see him photographing, printing, and discussing his life and work. Winner of a Gold Plaque Award at the Chicago International Film Festival.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
A disgraced sports presenter falls victim to an accidental head trauma and slips into a coma. He awakens months later to find that South Africa was not as he left it, he is now in the New South Africa, and his multimillion-Rand idea has been stolen from beneath him.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
