An approach to the work of the painter Jaime Vásquez, especially his collection entitled “Agony in the port” in which he expresses the ecological drama of the pollution of the sea of Chimbote for having been turned into the dump of mineral and fishing waste that are the two major lines of the industrial development of that area.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.