Anthropologist Robert Ascher depicts a myth of the Pacific Northwest Coast Tlingit using the purely symbolic, visual language of direct, cameraless animation. Positing an enchanting, engaging, non-Western alternative to verbal, analytical methods of documentation, he also considered this approach a noninvasive method of portraying an indigenous culture.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
Documentary about the making of The Changer and The Changed, an album recorded by Cris Williamson in 1975 that became one of the icons of women's music.
The female group "Die Hard Angels" of the Police Department's Investigation Division 1 begins a physical investigation to destroy a vicious organized crime.
