“Brother Klaus” takes an approach to St. Niklaus von Flüe (1417-1487) on various levels. From the sparse evidence and quotations from his surviving mystical texts, especially the tower and well vision, a portrait emerges of a multi-faceted personality of historical relevance, who developed from a farmer and politician into a deeply religious mystic. This is a film about a visionary who went his own way, but who has been labeled by posterity as a defensive father of the country (“spiritual national defence”) or a pacifist (peace movement), but who has also often been kitsched into a devotional figure. The film director does not deny his point of view, but lets the images speak for themselves and the viewers draw their own conclusions.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids.
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance collaboration created by artist David Wojnarowicz and composer/musician Ben Neill in 1989.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
Jimmy Burke and his friends steal 10 million from the Lufthansa office in New York. The FBI has no idea who the thieves are until Burke girlfriend gives them a hint.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
