Dive! Dive! Live! is the first live video recorded by heavy metal singer and former Iron Maiden vocalist Bruce Dickinson. It was filmed at the Wolf & Rismiller's Reseda Country Club on Sherman Way, Reseda, California, on 14 August 1990, while finishing the Tattooed Millionaire US tour leg. The video was produced by Paul Flattery and directed by Jim Yukich—who also worked on Iron Maiden's Live After Death—and the backing band was the same as on "Tattooed Millionaire", save drummer Dickie Fliszar, who replaced Fabio del Rio to perform during the tour. The set-list consisted practically of all the songs from the Tattooed Millionaire sessions, except for "Darkness Be My Friend" from "All The Young Dudes" single. It included "Bring Your Daughter... to the Slaughter" and some cover versions played throughout the tour, like Deep Purple's "Black Night", AC/DC's "Sin City". "Riding with the Angels" is a song composed while Dickinson still played with Samson.
In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
The film begins on, two soulmates Seetapathi (Subbaraya Sarma) & Major Pratapa Rao (Abhishith Varma) fixing up their children, Sivudu (Rajendra Prasad) & Parvati's (Amurtha) alliance in their childhood.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
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