Articles of former East Germany from household items to flags are thrown away at a garbage dump outside of East Berlin, serving as a reminder of a state that no longer exists. In this gesture of breaking ties with the past, the film captures the dumping ground as the last burial site of a society and the absurdity of time and existence.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
A disgraced sports presenter falls victim to an accidental head trauma and slips into a coma. He awakens months later to find that South Africa was not as he left it, he is now in the New South Africa, and his multimillion-Rand idea has been stolen from beneath him.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
