The film focuses on a grandmother and her granddaughter. It is a sad memory of their childhood, of childhood games and games of the early 20th century. The emotional subtext of the film speaks of kindness and the spiritual connection between generations.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
Dough-crazed mercenaries Sammy and Klaus are on a mission to escort the seriously ill prime minister of a South American country that has just been taken over by the rebels to his buddies over the border.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
The film begins on, two soulmates Seetapathi (Subbaraya Sarma) & Major Pratapa Rao (Abhishith Varma) fixing up their children, Sivudu (Rajendra Prasad) & Parvati's (Amurtha) alliance in their childhood.
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Have you watched Ene, bene, raba... yet? What did you think about it?