Genesis recounts a story about embodiment "told" using voice synthesis and animation display on a MacIntosh computer. It was installed at the Institute of Contemporary Art in Philadelphia in 1991. A computer is swaddled in blankets in a small baby carriage. A text appears on the screen that tells the (true) story of a woman who miscarries and keeps the fetus in her refrigerator. The narration is artificial, generated by a speech synthesis program. This voice becomes more human as the story evolves and as our understanding of the power of naming sharpens.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide.
A disgraced sports presenter falls victim to an accidental head trauma and slips into a coma. He awakens months later to find that South Africa was not as he left it, he is now in the New South Africa, and his multimillion-Rand idea has been stolen from beneath him.
The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
