Intestinal Fortitude is a post-industrial visual monster... The initial idea was to have many films in one and to have each of those films stand on their own. The multiple layers of this film each contain separate and individual films, all of them representing different ideas, and their stacked complexity give it its punch. The ideas range from enjoying coffee to an industrial hell. Driven by the pure apathy of others, this film was an alarm or wake-up call to my then-current peers in school. - Colin Barton
Alternative movies trailers for Intestinal Fortitude
More movie trailers, teasers, and clips from Intestinal Fortitude:
Intestinal Fortitude by Colin V. Barton (1991) 3 min. 16mm
Originally made in 1991 this film is all made with direct techniques and extensive optical printing. "A post-industrial visual monster. The multiple layers of this film ...
Intestinal Fortitude's Halloween Havoc
Intestinal Fortitude played its "last" show June 2008 after which time all activity with the band came to a halt. In the Fall of 2009 three of the members of the last ...
ALCH VERSUS| Streets Of Rage P7 ["Intestinal Fortitude"]
READ DESCRIPTION Game: Streets Of Rage Format: Sega Genesis [GEN] Developer: SEGA MNM Software Release Date: NA December 31 1990\JP August ...
Popular movie trailers from 1991
These some of the most viewed trailers for movies released in 1991:
This short fiction film tells the story of a very unusual satellite named Zenon. Zenon is a product of the most up-to-date technology and so displays an unusual characteristic for a computer: he is conscious.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
A disgraced sports presenter falls victim to an accidental head trauma and slips into a coma. He awakens months later to find that South Africa was not as he left it, he is now in the New South Africa, and his multimillion-Rand idea has been stolen from beneath him.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Claude, a militant anarchist, is caught stealing and is shot by a policeman while fleeing the scene. Dodo, a hairdresser, is hit by one of the stray bullets.
