Avant-garde filmmaker Ken Jacobs presents Buster Keaton's short silent comedy Cops (1922) as his own work by blacking-out approximately the top three-fourths or four-fifths of the frame.
Dough-crazed mercenaries Sammy and Klaus are on a mission to escort the seriously ill prime minister of a South American country that has just been taken over by the rebels to his buddies over the border.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
This short fiction film tells the story of a very unusual satellite named Zenon. Zenon is a product of the most up-to-date technology and so displays an unusual characteristic for a computer: he is conscious.