Meeting Venus is based on a play cowritten by the film's director, Istvan Szabo. Glenn Close plays a celebrated Swedish opera star Karin Anderson who is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Admidst all this chaos, the mismatched Anderson and Szanto fall in love. Filmed in Budapest, Meeting Venus was far from a box-office hit thanks in great part to an inadequate advertising campaign; hopefully it will gain the wide audience it deserves on videocassette. (PS: Glenn Close's singing is dubbed by real-life opera luminary Kiri Te Kanawa. We tell you this because the lyp-synching is done so well that you might actually believe that Close is performing those arias herself).
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys.
George Banks is an ordinary, middle-class man whose 21 year-old daughter Annie has decided to marry a man from an upper-class family, but George can't think of what life would be like without his daughter.
Veronique, living with her divorced mother, is going on holiday to Mauritius with her father. To impress a local boy, Benjamin, she manages to complicate the situation by making up stories about her father.
Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.