A provocative look from within at Afrikaner extremists who, in 1991, clung to the belief that they were the chosen ‘super race’ of Africa. With the demise of white rule, many of these Boers lived in fear. Some had banded into paramilitary groups, such as Eugene Terre’Blanche’s Afrikaner Resistance Movement, which claimed wide support within the South African army and police. They were preparing for an armed showdown with the new government.
The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker.
The story of the first black South African rugby captain who against all odds led the South African national team to win the 2019 World Cup Rugby and in turn unites the country.
Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin.
Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites.
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured.
Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.
Mandela’s legend is built on his absence, during his 27- year incarceration. In 1990, when Nelson Mandela is released, South Africa is waiting for their Messiah.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
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