This videotape provides electronic, metaphorical images which, in part, illustrate theories of the disappearing body as a result of social controls, social silencing and oppression. The tape is a response to the inability to feel, touch and express in a culture that denies desire as well as non-desire. The struggle to escape the restraints of social regulation is explored through layered images, appropriated from stock biology lab films, and layered narrated sequences. Images of contemporary body decoration practices, such as piercing and tattooing depict the ability of the postmodern body to integrate the power that exists in ones own body.
Documentary about the making of The Changer and The Changed, an album recorded by Cris Williamson in 1975 that became one of the icons of women's music.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
Dough-crazed mercenaries Sammy and Klaus are on a mission to escort the seriously ill prime minister of a South American country that has just been taken over by the rebels to his buddies over the border.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
The female group "Die Hard Angels" of the Police Department's Investigation Division 1 begins a physical investigation to destroy a vicious organized crime.
The film begins on, two soulmates Seetapathi (Subbaraya Sarma) & Major Pratapa Rao (Abhishith Varma) fixing up their children, Sivudu (Rajendra Prasad) & Parvati's (Amurtha) alliance in their childhood.
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance collaboration created by artist David Wojnarowicz and composer/musician Ben Neill in 1989.
