Time goes by; the past powerfully remains as a memory in the present. The film is expressively visualized as a psychological description of the tormenting present haunted by the memory of the past. It is an act of incantation to expel the frozen memory and to escape from the melting past.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids.
The film begins on, two soulmates Seetapathi (Subbaraya Sarma) & Major Pratapa Rao (Abhishith Varma) fixing up their children, Sivudu (Rajendra Prasad) & Parvati's (Amurtha) alliance in their childhood.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Dough-crazed mercenaries Sammy and Klaus are on a mission to escort the seriously ill prime minister of a South American country that has just been taken over by the rebels to his buddies over the border.