With QUATRE UN we are in the presence of four images (from the film R) each of which reflects the adjacent one, horizontally and vertically. The notions of the development of a theme, of inversion, of mirror and retrograde inversion thus seem deployed, as if some of the figures of musical discourse were suddenly proposed visually. Moreover, the device of this installation makes the beams of the projectors cross two by two in order to constitute an image in the center of a given space. Two projectors, one above the other, face two others separated by a double-sided screen.
The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
The film begins on, two soulmates Seetapathi (Subbaraya Sarma) & Major Pratapa Rao (Abhishith Varma) fixing up their children, Sivudu (Rajendra Prasad) & Parvati's (Amurtha) alliance in their childhood.
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
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Have you watched Quatr'un yet? What did you think about it?
