Sinéad O'Connor - The Year of the Horse Trailer (1991)
"Sophie Muller's 67-minute concert film Year of the Horse is drawn from Sinéad O'Connor performances in Brussels and Rotterdam in October 1990."16 July 1991Music67 mins
Recorded live at "Forest National", Brussels (Belgium), on 29th October 1990 and "Ahoy Sport Paleis", Rotterdam (Netherlands), on 30th October 1990. Tracklist 1 Feel So Different 6:19 2 The Emperor's New Clothes 4:41 3 I Want Your (Hands On Me) 4:14 4 Three Babies 4:58 5 Black Boys On Mopeds 3:40 6 Irish Ways 3:59 7 I Am Stretched On Your Grave 5:01 8 The Last Day Of Our Acquaintance 5:50 9 Nothing Compares 2 U 5:45 10 Jump In The River 5:15 11 Jerusalem 4:16 12 Troy 6:06
In 1973, a precocious 15-year-old aspiring rock journalist lands a dream assignment from Rolling Stone to tour with a rising rock band, embarking on a coming-of-age journey as he discovers the exhilarating and heartbreaking realities behind rock stardom.
Sparks exploded onto the music scene back in 1974, with their debut and most famous hit, "This Town Ain't Big Enough For Both Of Us", a powerful hook-filled pop song with dynamic falsetto vocals which proved as camp and histrionic as the duo themselves.
A luxury home, a handsome husband and terrific children. But it all comes crashing down when she is accused of being a mastermind behind a brutal triple-homicide and is arrested and handcuffed in front of her own children.
Reiko, a female college student, was looking outside with her newly purchased telescope. She bought it impulsively, but since she had no intention of using it, she looked around the neighborhood.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
Looks at the United States as it becomes an increasingly diverse nation. Tracing the history of significant changes in the Immigration and Nationality Act beginning in 1965, this program introduces a dramatic vision of a multi-cultural America where people of color are the new majority.
Sixty year old Max is having something of a middle-age crisis. His marriage seems to go nowhere as the passion, tenderness and happiness vanished when their daughter moved out.
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