Sobriety, Obesity and Growing Old picks up the narrative and themes begun in Kentridge's first film, Johannesburg the Second Greatest City after Paris, and follows the development of the relationships between his cast of invented characters, Soho Eckstein, his wife and her lover, Felix Teitelbaum. These relationships reflect, metaphorically, the changing political situation in South Africa at the time the film was made. Demonstrations and marches in opposition to the apartheid régime together with the governmental relaxation of most of the State of Emergency regulations and restrictions heralded the beginning of a change in the country's power structure (and white attitudes towards black African rights). Soho, a symbol of South African white power, develops the capacity for awareness, longing and love and the potential for guilt and repentance.
Oliver Watson has never been luckier: he is a successful advertising executive, shares a marriage of eighteen years with Sarah and has three loving kids: 17-year-old Ben, 15-year-old Melissa, and 9-year-old Sam.
Set in late 19th century Canton this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung (1847-1924) against foreign forces' (English, French and American) plundering of China.
They say a blast of flames can take a life ... and hide a secret. But now firemen brothers Brian and Stephen McCaffrey are battling each other over past slights while trying to stop an arsonist with a diabolical agenda from torching Chicago.
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives.
Have you watched Sobriety, Obesity & Growing Old yet? What did you think about it?